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Journal making

Making 30 Journals in ONE GO!

make it with me, Natasa
53:03 · 13 Oct 2024 · 134,218 views
What you'll make

mini journal · back panel · butterfly embellishments · cover · removable signature · signature

What you'll learn

batch production · no sew · attaching brads · beading · binding · cutting

What you'll need

bakers twine · beads · brads · calico · doily · dried flowers

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Once a week — new videos as they go up, plus journal-making ideas, inspiration, tips & tricks. Never noise.

If you've ever thought about making a batch of mini journals to sell at a craft fair, gift in a set, or simply work through a pile of beautiful supplies — this video is exactly that, start to finish. I made 30 mini journals in one session, and because I wrote down every step as I went, you can follow along with the same process from your own stash.

What we cover

This is a full batch-production tutorial for no-sew mini journals with fiber-wrapped, removable signatures and beaded twine closures — including an unboxing of the supplies I used and a flip-through of all 30 finished journals. The tutorial comes with a written step list so you can work through the same process at home.

What you'll learn

How to set up a batch-production workflow for 30 journals — the key is completing each step across all journals before moving to the next. Wrapping all covers first, then reinforcing all spines, then adding all doilies, and so on. It keeps your hands in one mode and your table from descending into chaos.

How to calculate paper needs before you start, including:

  • For 30 journals with 5 half-sheets each, you need 75 full uncut sheets of copy paper
  • Each full A4 or letter-size sheet cuts in half to give you two signature pages
  • Working this out in advance means one trip to your paper pile instead of ten
Tip · 19:42
Calculating paper needs for batch journal making
For 30 journals with five half-sheets each, I need 75 full uncut sheets — doing this maths before you start means you grab everything in one go instead of stopping mid-batch.

How to wrap lace or mesh fabric around a cover without sewing — glue a small section down where it will be hidden by the centerpiece, pull it taut, and secure with masking tape. The tape does the holding work so the glue doesn't have to be perfect through an open mesh.

Why I double up masking tape on the spine — flimsy covers need structure, and masking tape has just enough give to flex without cracking. Two layers, refold, score lightly, and the spine holds cleanly for the life of the journal.

Tip · 9:22
How I reinforce flimsy covers with masking tape
I double up masking tape on the spine before anything else — it has a little give but it's sturdy enough to do the job, and it saves these thin covers from falling apart later.

How to fold signatures for a rounded spine vs. a crisp fold, including:

  • Folding all pages together at once — gives a soft, rounded spine edge
  • Folding pages individually — gives a sharper, more precise fold, which I prefer when I'm sewing signatures in
  • For no-sew fiber-wrapped journals, the rounded fold sits better under the wrapping
Tip · 31:33
Folding all pages together for a rounded spine
I fold all five pages at the same time rather than one by one — it gives a rounded spine instead of a crisp fold, which works better here because I'm wrapping rather than sewing.

How to wrap a fiber bundle around a signature to bind it without sewing — find the center of your fiber bundle, work from inside the fold, wrap around the spine twice, bring the ends back through the wrapped section, tie a knot, and finish with a bow or hanging tails. The signature stays removable but sits securely inside the cover.

How to split a fiber bundle to get more variety from one pack — rather than using the full thickness of a multi-strand bundle, splitting it in half gives you lighter, more delicate wrapping and doubles how many journals you can dress from a single length.

How to attach a wraparound brad closure, including:

  • Punching a small circle from scrap paper, inking the edges, and piercing a brad through it
  • Marking placement on the cover before committing
  • Securing the brad feet flat so they don't lift the inner panel later

How to add a beaded tassel to the closure twine, including:

  • Tying a knot before threading the first bead so it has a stopper
  • Threading with a beading needle
  • Finishing with a second knot tight against the last bead, then checking it holds before trimming
Tip · 41:50
How I add beads to closures without them slipping
I tie a knot before the first bead so it has a stopper, then tie another knot after the last bead to lock the sequence in place — simple but it makes the whole closure look intentional.

How to decorate covers with paper doilies and lace mesh panels — applying glue with a fine-tip applicator to delicate, intricate edges, pressing down carefully from the center out, and making sure the brad area underneath isn't lifting the panel.

Reveal · 43:20
All 30 finished mini journals
Here they all are — every journal different, with fiber wrapping, bead closures, and tassels. You can really see how the decoration evolved from the first ones to the last.

Tips & gotchas

Fold all your signature pages together in one stack rather than one at a time. It's faster, and it gives you that soft rounded spine that sits nicely under fiber wrapping. If you fold individually you get a sharper crease, which is what you want for sewn signatures — but here it works against you.

Double up the masking tape on the spine before adding any panels. Some of the mesh and lace covers I used were genuinely very flimsy, and that second layer of tape is what kept them from feeling floppy in the hand. It also gives you a clean edge to score and refold against.

Keep a scrap book page under your work when you're gluing. The mesh lets glue through onto whatever's underneath, and your desk will thank you.

When you're working at this scale, don't cut all your panels first and ink them all separately — work one journal at a time for the panel step so you can adjust sizes as needed. Some of my covers had shifted slightly and the panels needed trimming down individually anyway.

For the beading: tie the knot before the beads go on, not after. You need a stopper or the first bead just slides straight off. Thread on, tie the finishing knot, slide it tight against the last bead, check a bead can't pull through, then trim. Takes ten seconds and saves you fishing beads off the floor.

Don't overthink bead colour matching when you're doing 30 of anything. I tried to loosely tie beads to the colours in the cover, but I also just went with it — and some of my favourite results came from that. The turquoise beads that "didn't go with anything" actually looked beautiful. Keep the momentum going.

The step list I wrote out during filming is shown on screen at the end of the video — screenshot it or copy it down and you've got a portable reference for your own batch sessions.


Thirty journals made in one session is a commitment, and I won't pretend the middle stretch isn't a little repetitive — but what you end up with is a full collection of genuinely individual pieces, because no two fiber bundles, no two bead combinations, and no two doily placements land the same way twice.

They're the kind of journals that sit beautifully in a craft fair display, bundle naturally into sets, or make gifts that feel considered rather than quick. And once you've worked through the process once at scale, the next batch — if you're brave enough — will go considerably faster.

— Natasa